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Domestic

by Fred Smith

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1.
Life’s a highway, doing it my way, whenever we make art Life’s a freeway, lots of leeway, whenever we make art Life’s a nightmare, see the light where, whenever we make art Life’s a riot, you should try it, whenever we make art Walking on a sunny afternoon down St Kilda Esplanade Walking on that sunny afternoon take a sip of lemonade Young and pretty, inner city Wearing tight jeans, in the right scene Old and crusty, staying lusty Through the portal, we’re immortal Walking on a sunny afternoon, through the streets of Middle Park Walking home beneath the rising moon we’ll be lovers after dark Bony and stony I was doing it only just to prove I could make it alone Bernie and Tony told me I was a phony they suggested I should postpone Untill if and whether I should get my shit together put the horse in before the cart There’s always a remake whenever we make art There’s the key change we can be strange Backing vocals, Holy Smokal! Truth and beauty, rooty tooty! In conclusion, sweet illusions…
2.
Ding, dang, dong, here’s a song, bear with me it comes for free and doesn’t go too long It’s just some words I wrote on a boat I’m singing them to you because it wouldn’t do to leave them in my throat Dong dang ding, damn phone rings, the man here wants to know if I would like to hear him sing He’s says he’ll even pay, to hear him play, I said “ok Buck but if it sucks I’m calling in the NRA”, And so he sang his song, ding dang dong, a song so sad I felt so bad I wanted to say so long But he said “hang on man, understand, one of these you gonna find yourself with the begging bowl in your hand” Ding dong dang, great big bang, for better or worse the universe began to do its thang And all the moons and stars, Earth and Mars, out they rolled and we evolved to learn to drink in bars Though we began as fish, with a wish, not to die and end up fried and served upon a dish And so we left the sea, now follow me, I know a joint in Milsons Point but we can get sushi, oh yeah Ding dang dong what went wrong? Half my brain’s in Deloraine the rest is in Hong Kong There eating Chinese food, in the nude nothing kinky I don’t think he ain’t that kind of dude Just likes his chow chow mein, it ain’t no sin, makes a mess so he gets undressed to keep his T-shirts clean And that is quite unique, he’s a freak - his chopstick chops make lots of slops the dude has no technique! And we have had this talk, I said “use a fork”, is what I said but he said “Fred, I’d rather eat my pork The way the Chinese do, in the nude, you know the poem when in Rome don’t mention you’re a Jew Cause they got Catholics, armed with sticks, and they’ll tell the Pope, so don’t pick up the soap, and watch out for falling bricks And now they’re in a mess, sin and stress, who the hell would Cardinal Pell go to to confess And get stuff off his chest and be blessed, well they got a little booth where you can tell the truth and still avoid arrest The whole things sad I guess”, but I’ve digressed, we had a laugh but my other half still eats Chinese undressed That’s where things get complex, food and sex, can mix well in some hotels but generally it’s vexed The whole thing strains my brain, I like food plain, I’m a simple joe and that’s why am going back to Deloraine.
3.
Turn Around 03:54
Turn around, you never know where you’ll find me Turn around, you never know where I’ve been Turn around, I’m standing right here behind you Turn around, you’re looking right ahead at the screen You and I aint living in California You and I aint living in Bangor Maine You and I we’re moving under Capricornia You and I travelling in our own trains Coming home, on a train full of tired commuters Coming home, all flaking out on their phones Coming home, home to our home computers Coming home, and going to bed alone. You and I aint living in California You and I aint living in Danforth Maine You and I we’re moving under Capricornia You and I are flying in our own planes Turn around, you never know where you’ll find me Turn around, you never know where I’ve been Turn around, still standing right here behind you Turn around, but pretty soon it’s me or the screen You and I aint living in California You and I aint living in Lincoln Maine You and I are moving under Capricornia You and I are strangling in our own pain You and I aint riding on Italian scooters You and I through the streets of Castlemaine You and I are living on our own computers You and I are pissing this down the drain.
4.
Open Country 04:45
I came in today flying over Sydney Harbour as she sparkled like a diamond on the Sydney summer’s day Red hot roof tiles but it’s freezing back in China as the plane we’ll hit the runway it’s so long I’ve been away I got into a cab I was talking to the taxi driver he described a land divided fingers pointing left and right On the radio and old man selling anger on the airwaves he was blaming everyone who wasn’t middle-class and white The taxi driver swore he said “mate we are all new Australians whether your name be Megalogenis, Frederick Smith or Penny Wong” I said “yeah you’re right this is not the 1960s there is far more to being Australian than your Esky and your thongs” And he said “Your’re not wrong, hear my song, I’m Australie and there’s plenty of space in me.” Well he dropped me down on Pitt Street corporatoids were praying not for profits from the Bible they prefer theirs’ cash in hand Took the Bondi bus up Oxford saw the pretty boys out walking I saw skin of many colours gracing Bondi’s burning sands Meanwhile through the countryside the bushfires were blazing I saw people fight together everybody lends a hand and out in the great dry West I hear the old stockmen talking about the good times and the hard times that had fallen on the land and I say: understand, it’s our land, I’m Australie and there’s plenty of space in me So Pauline, Pauline, love do you think you know the answers to you even know the question are we watching the same game? Your politics of fear is your politics of anger but you’re not the only one to use the politics of blame And I’m hearing arguments and fighting over reconciliation when we know a land divided is the worse we’ve got to fear Well there’s gonna be more blues cause there’s so many different viewpoints if and when the matter’s settled then let’s sit down for a beer And I say: there will be tears, but have no fear, I’m Australie and there’s plenty of space in me. Well the time is now these hot winds of change are blowing we must bend and never break like a supple sapling gum And if you’re telling me we can’t change if you saying were old and rigid I suggest you learn some yoga so you learn to bite your bum So stand up now let’s look to the Horizon there’s still so much space to grow in we can learn how to succeed But first things first we’ve got to find a little space inside us just to understand a complex land and in the plant the seed. And I say young and free, Australie, I’m young and free and is plenty of space in me Came in today flying over Sydney Harbour as she sparkled like a diamond on the Sydney summer’s day
5.
I guess I don’t have to tell you, that was the bank man on the phone He reckons we’re gonna have to sell here, we can’t repay the loan Things haven’t worked too well here, since the drought in ‘95 Ever since we’ve worked our fingers to the bone, just to stay alive But to lose this farm would break my heart I have worked here man and boy I am too old for a new start and Many a dream have we seen broken many a fire at our back door Many a harsh word spoken I can take it anymore So sign this letter to my brother, take the pistol from the shelf We’ll put two rounds through its chambers and put an end to all this hell and Take my hand now lover walk into an empty night Take my hand now lover I have lost my will to fight Many a dream have we seen broken, many a fire through our back door Many a harsh word spoken, it hasn’t been easy that’s for sure The kids moved out and went to Melbourne, must have been a year ago The summer months were hot and lonely, now the winter’s here I’m cold But when you hold me in your arms I am still a little girl I can forget all the sadness and the anger of our world so Take my hand now lover walk together through the night Take my hand now lover we can make it work alright Throw that letter in the fire throw the pistol in the dam I am not prepared to die, not as long as I can stand We can, make a new start, you silly old fart cause we got four strong hands and two beating hearts so Take my hand now lover walk together through the night Take my hand now lover we can make it work alright
6.
At the literary launch, wine and conversation Back before I wore a paunch, as a fashion statement. She was fashionably late, in her Converse sneakers. She got pissed off her date, we ignored the speakers She said “I’m writing for Green Weekly” I said “I’m writing for The Age”, She said “let’s get together sneakily And we’ll turn a brand-new page!” It all started just like that we moved in together, To a little rental flat, nights of lace and leather Lino and cobwebs on the ceiling, Two of us on a writer’s wage, such an exhilarating feeling, To have turned a brand-new page! I was looking for my own little Brexit, she was looking for a Trump, It all floundered when found her sexting with some other new chump. I moved back in with my wife, such a good decision, Now we spend the weekday nights, kids and television We often wanna ring the changes, we lack the wisdom of a sage I’ve lost my appetite for strangers, and to turn a brand-new She’s started writing for the Aus now, writes to maintain Sir Rupert’s rage She’s getting married to her boss now, and she’s turned a brand-new They cruise the suburb in his Beemer, brunch Saturday in Double Bay His wife says she’s a little schemer, guess he’s turned a brand-new page!
7.
Maryanne 03:47
If you’ve got someone who is special in your life Maybe your old pet cockatoo, might even be your wife You’ll know what its like, you will understand That I’ve got a very special girl, her name is Maryanne You know what its like, you know what its like You may not know my Maryanne, but you know what its like My girl, Maryanne walking down the street She got a smile to make the day of everyone she meets She’s got lots of friends, they all think she’s great Dogs and children like her too, dogs and kids have taste She got long brown curly hair and slightly pidgin toes She got a song upon her lips, everywhere she goes I like listening though she is tone deaf I like the way she walks on home right foot after left She goes shopping at, Salvation Army Stores Gets better stuff than you might find, in a shopping mall Picture frames and plates and cups, records of Jazz and folk Lately I’ve been feeling great, something must be wrong Getting home early staying straight, writing boring songs What’s an artists life if there is no angst “Did you enjoy your dinner dear, it was lovely thanks” Me I sing these wholesome songs, up on stage at night Maybe one day I’ll be a hit with the Christian right But I don’t make much doe, in a world of greed So long as I’ve got my Maryanne, I got all I need
8.
There Go I 04:46
Every day I write new songs, covering all that I’ve done wrong Leaving my old ones to wither and die, But as I lie here on my own, Writing this on my mobile phone I’m free as a blue bird up in the sky, there go I Some time ago I went to war, still do not know what I went for Maybe to look myself in the eye, Many good men there killed and maimed, many returned but not the same One day the windscreen, next day the fly And now I’m back on planet earth Here in the nation of my birth Here in this country brittle and dry As I walk past the junkies outside Coles, sunk in their sad and weary souls I cling to my daughter as I walk by Guess that I had my wilder days, lucky I made my getaway Gave away dope I’m more or less dry, there go I So if you see me in my shame, know that we’re more or less the same Shuffling under the same autumn sky, there go I
9.
I was staying up late with Maryanne, We were locked into debate trying to understand How our matrimonials had come to be She said “honey the truth will set you free” I said “you walked into the cafe without a care Yellow fabric flower in your hair Must have been in September of 93 Love, youth, truth and Nirvana would set us free” There were mattresses on the living room floor There were actresses trying to sweep the floor On the kitchen table was a fat TV Stayed up watching cable to quarter to three It was understood, that these looked like our halcyon days Till friends there in the ‘hood all went their separate ways I got married late to Maryanne Like a sixteen year long date ‘cause working wedding bands Had made me a little nervous of matrimony She said “love and service will set you free” Now I’m staying up late with Maryanne Pointing out the spelling mistakes in her corporate plan She said “life’s like the Soviet Union in 70s Sometimes speaking your truth love won’t set you free” I said “Through these middle ages I will comfort thee” She said “honey go make me a cup of tea”
10.
Heart Work 04:05
If your father-in-law shows up at your door in a permanent state of undress Says he is happy to stay for the rest of the days it could be that you’re less than impressed See he had a fine mind but it’s been in decline by degree like a slow setting sun Now it is dusk and he’s only got us and there’s heart work to be done In youth we all press to rise above the rest in whatever the field or profession We stress and we strain no pain no gain with a focus not far from obsession Then something goes snap, the bone or a strap, or our wings get burnt by the sun And we fall to the ground and fumble around with some heart work to be done Now my girl Maryanne cannot do the CanCan nor perform a piano recital She cannot hit a note she would not win a vote if she entered Australian Idol Her strong suit is love and when push comes to shove there’s no need for a hired gun I’m telling you pal she is my go-to-gal when there is heart work to be done. If you find yourself alone in an old folks’ home one stop from the mortuary station Best not to curse the nightshift nurse with your views on immigration Seems she came here of late from some African state for centuries shabbily run Now you may well infer, it’s just you and her and some heart work to be done
11.
There are certain things a man must be afraid of There are certain things a man must rise above When the kids move out will get the mortgage paid off And it’ll be just you and me my love Now your fathers on his second round of chemo In our living room he’s living out his years He’s monopolized the tv and the remote Trying times for you and me my dear And your work day’s full of meetings and appointments In the evening too exhausted for good cheer And the weekend is not without its disappointments Sunday night it’s you and me my dear As the rain falls in our home here in the suburbs I am grateful for the ceiling up above And I’m grateful you’ve not left me for another You’re the one thing that I’m certain of With some love and grace and clean communication We may find a way to make it through the years Failing that there's always grim determination! Either way it's you and me my dear So let’s fill this day and those that are remaining With our labours and our laughter and tears I will tender my umbrella when it’s raining. I will try to keep you dry my dear Cause in the end it’s you and me my dear
12.
Beautiful girl, new to this world Your mama’s good-looking she’s been cooking you since May or June And now you’ve come to steal my heart just like the dish ran away with the spoon Beautiful girl, soft like a pearl Laying there happy in your nappy like a lump of dough Your mamas gonna feed you when you need to you just let us know Beautiful girl, princes and earls I know they’re going to come to court I’ll build a fort to keep their fingers off you! But like your Grand daddy knew you’re gonna do just what you’re going to do Well it’s as fickle as fashion, there’ll be bright lights flashing As you crash into your darkest night This old world’s going blind, but if you know your own mind I know you’re going to be all right Beautiful girl, it’s a dangerous world And it’s suffering its huffing and puffing and its going to blow But with a heart like Magellan there’s no tellin’ where you just might go And your dad is going to be here if you need him, just so you know Yes you daddy’s going to be here, if you need me, just say so.
13.
Rosa 05:08
I have a friend named Rose, she lives in the Barrossa She spends all her time drinking Beaujolais wine And sometimes forgets where her clothes are. The aging Soprano was charming. She once sung the lead role in Carmen I drank to the close With that fading old rose Singing “Lilly the pink” with the Barmen And the Frenchman Jean-Paul Kuma satre Had a lover he met in Sumatra And they’d dunny door, like Zsa Zsa Gabor And swing it like Nancy Sinatra The Captain of the Lara Kinsela, Was a gay and a hearty old fella Said ‘there’s much to be learned, from the water astern Cause its done its time with the propeller

about

A singer-songwriter renowned for his travelogue albums (Dust of Uruzgan, Bagarap Empires, Texas), Fred Smith has turned his attention to the domestic frontier with the wry observation and humour that are his trademark.

‘Domestic’ captures 21st Century Australia under pressure from drought to digital overload, bushfires to Bondi. It’s an essentially Australian album not just in its subject matter but in its outlook. “We’re a race of piss takers for better or worse, mostly for better – a scepticism which, I’d like to think, protects us from being duped”.

And a wry humour runs right through the album - there is a streak of comedy even through even it’s most serious songs. Although an overall exuberant album, Domestic does get serious. The aperture narrows in the second half of the record to a more personal suite of what might be called ‘love songs for middle aged folks’.

As Smith approaches his 50th birthday, songs like ‘Heart Work’ and ‘Certain Things’ paint domestic scenes of a couple under pressure - managing aging parents while raising children, overworked and overwhelmed by the demands of life in the digital era - glamourous no, but real enough for many of us.

“It’s been a tough five years managing the decline of my ancient Greek parent in laws mixed with the joy of raising our infant daughter - her indifference to our suffering has got us through!”

“There are times when marriage seems more about endurance than euphoria - we endure a lot together” said Smith.

Smith’s team of regular sidemen have served him well on this recording. Liz Frencham embodies taste on double bass while poli-instrumentalist Carl Pannuzzo serves the songs sublimely on drums, keyboards and backing vocals.

“There’s a trust and understanding that comes from playing hundreds of gigs together that made the experience in the studio quite lovely” said Smith.

The feels on this album vary from Kinks-like Britpop (Whenever We Make Art) to country (Four Strong Hands) to fingerpicking folk (There Go I). Smith has never accepted genre limitations, his only concern being the happy marriage of melody and meaning.

The album cover features Smith in a blue shirt against a pink backdrop. This is his first album in eight years not to contain songs about war. “I’m out of the beige and in to the pink!” Says Smith.

credits

released January 12, 2020

Credits:
Fred Smith – Acoustic Guitars, Harmonicas.
Liz Frencham – Double Bass; Vocal on Track 5;
Carl Pannuzzo – Drums/percussion; Keyboard, Backing Vocals
Fiete Geier – Electric Guitar on 1, 2, 3, 4, 9, 12, 13; Bass 11
Dave O’Neill - Electric Guitar on 6
Mikel Simic and Phil Moriarty – BVs on 13

All tracks mixed by Fiete Geier and Steve Vella
Mastered by Kimmo Vennonen
Most tracks recorded by Steve Vella and Liz Frencham at Dog and Bear Studios, with some overdubs tracked by Fiete Geier at Ebden Studios
Track 1 and 4 rhythm sections recorded at Infidel Studios by Duncan Lowe
Track 12 recorded by Kimmo Vennonen live to the mixing desk at Street Theatre in Canberra.


All songs © Fred Smith All views expressed or implied on this recording are those of the author and not representative of any other person or organisation.

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Fred Smith Canberra, Australia

“Fred Smith is simply the best folk/country musician working in this country in 2020. Beyond writing some of the finest songs about Australians at war, he has created a repertoire that is wry, literate, witty, powerfully emotional and insightful.”(Bruce Elder, Sydney Morning Herald). ... more

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